Showing posts with label Maya civilization. Show all posts
Showing posts with label Maya civilization. Show all posts

Tuesday, October 30, 2018

Bats and the Ancient Maya



This Guatemalan vessel, dated around 650 AD to 850 AD, has bat heads
painted on it. From LACMA.

All kinds of bats (or zotz (also spelled sotz') in a lot of Mayan languages) live in the Maya area. It makes sense then, that bats became part of the Maya civilization, including religious beliefs, their writing system, and their calendar.

What the Maya Thought of Bats
Two things the ancient Maya connected bats to were caves and the underworld -- they also thought that bats were messengers from the underworld. The Maya also connected bats with sacrifice -- they drew bats with symbols of sacrifice, like “death eyes” around their neck (or on their wings) and a sort of split scroll coming out of its mouth that might be a symbol for blood.

Three other possible views the ancient Maya may have had – according to a paper called Bats and the Camazotz: Correcting a Century of Mistaken Identity are: as a wahy, a choice for a city name, and as a pollinator.

The Bat God
Starting with Eduard Seler’s conclusion about images on a pot, it’s now thought that the ancient Maya believed in a bat god – archaeologists call this god Cama Zotz’. This name comes from a bat god in the Popol Vuh, a Quiche (also K’iche’) “bible”. This god was connected with death. (It must be said though, that Maya experts don’t have a lot of info about this god outside of vessels taken from burials found in the Maya highlands.)

However, the paper Bats and Camazotz not only has the view people interpret bat images as this deity too often – but also doubts that Seler’s conclusion was right. (This doubt comes from the fact that they haven’t found any pre-contact images of the Hero Twins in the House of Bats.)

Agricultural Significance
Speaking of pollination, a lot of plants that the ancient Maya used were pollinated by creatures (as opposed to wind pollination, like corn.) This includes certain kinds of bats, like Underwood's long-tongued bat (Hylonycteris underwoodi).



A detail from an image of Haab months
from
An Introduction to the Study of the

Maya Hieroglyphs. From Project Gutenberg.
In Mayan Writing 
The Maya had different glyphs (or perhaps versions of one glyph) that were bat heads – and they used these bat glyphs (or perhaps versions of one bat glyph) in different ways. For one thing, it looks like they may have used it (or them) for several syllables, including “xu” and “tz’i”. (As to whether or not there is more than one distinct bat glyph, that seems to be under debate.)

They also used a bat head glyph as a logogram, and when they did you will see descriptions that say you pronounce it zotz/sotz’. (There is a theory that in Classic Period inscriptions, though, it ought perhaps to be pronounced sutz’.) They used this logogram for the fourth month of the solar calendar (the Haab.)

A bat glyph was also used to represent "mother of" or “mother of child” in inscriptions -- specifically, for when the mother of that person was alive. For this, the bat glyph also has two syllable signs with it, one for “ya” and one for “na.”


Bat glyphs have also been used as part of “emblem glyphs” or city names. Both Calakmul and Copan had a glyph that was a bat head as part of their emblem glyphs. (Calakmul also had an emblem glyph that used a snake’s head instead of a bat’s head.) 

Consideration: Which Bat is the Bat Glyph?
According to a 2009 paper by Erik Boot, people tend to accept that that the model for the glyph was a species of leaf-nosed vampire bat. This paper also wonders if the model might have been the American false vampire bat because ancient Maya art liked to show powerful carnivores, like alligators and jaguars. (The American false vampire bat is the biggest you can find in North America – at the largest, its wingspan can be as wide as three feet!)


References:











Image Credits:


Thursday, September 20, 2018

Ancient Maya Markets

The ancient Maya traded all kinds of things -- including
the above. (Image a composite of images from the USGS,
the Metropolitan Museum of Art, and the USDA.)


The remnants of the ancient Maya civilization don’t talk a lot about markets. But those who study the Maya have still been able to create ideas about what markets were like in ancient Maya times -- by doing things like looking at current markets, Spanish accounts, and doing soil tests.

What Could Be Traded
There's a view that elites controlled luxury items, which they got as tribute -- then they passed these items on, following social rules. This view also says that commoners traded items that were everyday items. But this might not be completely true.

Marketplaces
It may be that the Maya put markets near places where lots of people would be gathered together, and near places where lots of people would pass. Some examples of these possible places are ballcourts, wells, popular roads, and the end of roads.

Moving on to marketplaces, it doesn’t look like there were specific buildings the Maya used for getting together to trade. It may be that they used open spaces like plazas. Examples of sites where it looks like marketplaces may have been include Chunchucmil, Motul de San Jose, and Coba.

As for how the traders were set up, it seems that it depended on the community. In some places though, they may have been lined up in rows.

Who Got To Trade at Markets
Archaeologists don’t know for sure whether it was just women, men or both genders who normally got to trade. Murals at the site of Calakmul -- located in the Chiik Nahb complex, may have a piece of evidence about genders and trading at markets. One-third of the people that can still be recognized are women. There’s a woman who may possibly have even been a kind of manager.

Consideration: "Money" Items
Around the time of contact with the Spanish, the ancient Maya would use certain items as a kind of money. Examples of these items include jade, cotton mantles, and salt. It may even be that the Maya used items as "money" back into the Classic Period.

Significance
It seems that markets were important for ancient Maya communities. Why? Because communities had to rely on each other to get items that they needed.

References:



Thursday, September 13, 2018

Dance and the Ancient Maya Civilization



This figurine comes from the Mexican state of
Campeche. It's 7.25 inches tall and dates to around
700 AD to 900 AD. Courtesy LACMA.


There’s evidence the elites of the ancient Maya civilization used dance, just like other civilizations in Mesoamerica. (Curiously, the Spanish involved in colonizing the Maya area didn't talk about dance too much.) Dance was in their politics and religious practices, and they danced them in their temples and in open spaces meant to be used for displays.

Dance Items
Examples of things worn in dances are rattles, shields, different kinds of staffs, axes, drums, belts made of shells meant to make noise (called tinklers), jade celt pendants, jaguar skins, fans, animal headdresses, and god headdresses. Another example is a scepter called a mannikin scepter, which were related to K’awiil, also called god K).

This vessel, from around 600 AD to 900 AD, 
shows dance scene. Courtesy LACMA.
Another example is the backrack, which is a rack that dancers wore with a special strong belt that had lots of padding for the dancers’ backs. Items that had meaning as symbols were put onto backracks. 

What dance items the dancers put on depended on the dance – for instance, a dance called the K’awiil Scepter dance involved the mannikin scepter. Dressing up as gods to impersonate them was a common feature – rulers could then talk as the god to everyone watching the dance.

Purpose
The ancient Maya elites were known to hold dances for all kinds of occasions, each meant to show off their power. Most often, they had dances as part of other ceremonies. Some examples of occasions where they included dance are: victories in war, dedicating a building, the summer solstice, when there was a new ruler taking the throne, getting tribute items, the end of a k’atun (group of 20 years), and the end of a tun (1 year).

Who Danced
A lot of art only shows men being dancers. But there is art that shows women dancers with men dancers. The Dances were watched by an audience. Dancers tended to be rulers, sometimes with governors who worked for the rulers.

Music 
Music was part of Maya elite dances. Several other instruments included ceramic flutes and whistles, like the ocarina. Yet another instrument used in dances was a long trumpet, which you might see called the hom-tah. (The Maya made hom-tahs with wood or paper, gourd (for the end or bell of the hom-tah), clay, and beeswax, which was for the mouthpiece. The beeswax would have helped players keep their mouths pressed firmly against the mouthpiece.)

The ancient Maya elites used drums in their dances. There are three drums that archaeologists have found that the elites used. These are called the turtle drum (with a turtle shell base), the pax (which was small and could have a base of gourd, ceramic, or clay), and the “huehuetl” (which had a wood base and is named after an Aztec type of drum with the same name.)

Deciphering “To Dance”
Nikolai Grube is the discoverer of an ancient Mayan verb that is supposed to mean “to dance.” He deciphered this glyph, which is understood to be said “ahk’ot” in 1992. 

According to "The Hidden Maya", the term also means "to perform ceremonies that manifest divine beings." It also says that the phrase "ti ahk'ot" means "he or she went or goes dancing" but it's not strictly that dancing happened. It means any ceremony used to connect with the gods, either making them manifest or talking with them.


References:

Image Credits:


Friday, August 10, 2018

Monkeys in the Ancient Maya Civilization

A young spider monkey with its mother. Credit: Kevin Lafferty, USGS.


Two monkeys are found in the Maya area: the Central American spider monkey (Ateles geoffroyi), the mantled howler monkey (Alouatta palliata), and the black howler monkey (Alouatta pigra). Monkeys in ancient Maya times were part of the Maya’s lives in multiple ways. The Maya made them part of their religious beliefs, but they also were used more practically.

In Religion
A vessel from 600 AD to 900 AD. Courtesy of
LACMA.
There were monkey gods who were patron gods of the arts connected with scribes. (Versions of these two gods may or may not be in the Popol Vuh, as the Hero Twins’ older half-brothers, Huun Chuwen and Huun Bats’ or One Artisan and One Monkey. They had lots of talents and could even see the future, but were mean to the Hero Twins -- who turned them into monkeys.) No one knows what kind of monkey the gods were supposed to looked like. There has been a view, though, that wonders if the Maya connected howler monkeys with their various arts. 

Somewhat connected to this is the monkey-headed god C -- which isn't thought to be a god now. Instead archaeologists currently think god C is just a way the Maya said "supernatural being" or "god."

Other than gods, the ancient Maya thought that there were wahys -- a kind of spirit being (see more here) -- that were monkeys.

In Art
A Peten region plate from between 600 AD
and 900 AD showing a "supernatural monkey".
Courtesy of LACMA.
The ancient Maya used monkeys to represent the idea of doing things you shouldn't really do. They also connected monkeys with being creative. Examples of things the Maya drew monkeys doing include drinking and dancing.

Practical Use
Among the animals the ancient Maya hunted for food were howler and spider monkeys. However, it must be said, archaeologists haven't found that many monkey bones at sites so far. 

Consideration: Species

There’s a view that it’s possible that during ancient times, the Maya area may have been home to five kinds of monkeys: two species of howler monkey, the capuchin monkey, and two types of spider monkey. 

Detail of Plate 39 of "Animal Figures in the Maya Codices".



References:
Google Books: Art and Myth of the Ancient Maya"; Oswaldo Chinchilla Mazariegos; 2017

Cambridge Core: "Revisiting Monkeys on Pots: A Contextual Consideration of Primate Imagery on Classic Lowland Maya Pottery"; Prudence M. Rice. Katherine E. South; 29 December 2015

Google Books: "Mortuary Landscapes of the Classic Maya: Rituals of Body and Soul"; Andrew K. Scherer; 2015

Google Books: "Cosmology, Calendars, and Horizon-Based Astronomy in Ancient Mesoamerica"; Anne S. Dowd, Susan Milbrath (editors); 2015

Google Books: "Encyclopedia of the Ancient Maya"; Walter R.T. Witschey (editor); 2015

Google Books: "Maya Figurines: Intersections between State and Household"; Christina T. Halperin"; 2014

LANGUAGE: "Journal of Mesoamerican Languages and Linguistics" Vol. 1, No. 1: 1-34, 2008; K'U: The Divine Monkey; Brian Stross

Google Books: "Animals & Plants of the Ancient Maya: A Guide"; Victoria Schlesinger"; 2001

Cambridge Core: "Capuchin Monkeys (Cebus capucinus) and the Ancient Maya"; Mary Baker; 1992(published online: 10 October 2008)

Image Credits:
USGS: "Baby Spider Monkey Snacking While Clinging to Mom"; Kevin Lafferty, USGS; December 4, 2013

LACMA: Vessel with Young Lord and Monkey

LACMA: Plate with Supernatural Monkey

Project Gutenberg: "Animal Figures in the Maya Codices"; Alfred M. Tozzer. Glover M. Allen; 1910

Wednesday, May 23, 2018

Mirrors and the Ancient Maya

Pyrite is an iron ore that the Maya would use for mirrors. This
image -- from the USGS site, taken by Carlin Green -- shows
a piece of pyrite and quartz.


The ancient Maya civilization, like other Mesoamerican civilizations, used pieces of iron ores to create shiny flat surfaces -- archaeologists call these artifacts mirrors. These mirrors, for the ancient Maya, were symbols as well as tools. One thing its thought mirrors were a symbol of was either the northern part of the sky when it was night or the North Star. They were also a symbol of ruler's rightful power, royal lineage, and sunlight.

The Mirrors
The ancient Maya liked to make their mirrors with minerals that are types of iron ore and slate. (As to what kind of iron ore, you may see that it said that the Maya just used pyrite, or used other kinds too, like pyrite.) They polished the iron ore and made them into a mosaic. A lot of mirrors have at least one hole near an edge.

For the backing of the mirror, they preferred to use slate. (The Maya also made wooden backings and ceramic backings.) There were times the ancient Maya decorated the visible side of the backing.

Consideration: Mirror Holders Found?
A few wooden sculptures have been found that might have been holders for mirrors. These possible holders are shaped like people with dwarfism. (The ancient Maya may have seen dwarfism as representing an "in between" state.) Below is an image (from the Metropolitan Museum of Art's website) of one of these sculptures, which you may have seen in other places on this blog.


There are notches on the man's "kilt" and in his arms. This may have been where a mirror about 5 inches wide and 5 inches long may have been put.

Uses
Elites may have worn mirrors -- the mirror's holes could have been used to hang the mirrors on the elites somehow.  The Maya may have used mirrors in their rituals, for when they wanted to make smoke or fire -- possible evidence for this are mirrors taken from the site of Chichén Itzá that were burned. They also used mirrors as tools for telling the future. You may also see the view that mirrors were for communicating with supernatural beings, and that doing this made the person using the mirror divine.

There's an idea that royalty had a ceremony that concerned future rulers and involved a mirror. It's not sure what the ritual was for. One possibility was that it was part of the rituals for a new ruler who was taking the throne. Another possibility is that it was a ritual for telling everyone who was going to be the next in line.

Mirrors were also put in burials. You can find them in elite tombs -- more in the highlands than the lowlands. (They're not common in the lowlands.)

Gods Connected with Mirrors
Archaeologists have found that the Maya drew some of their gods with mirrors on their foreheads. One god is known today as god C.  A monkey god, this god's name was an "animated" version of a mirror glyph. This god was connected with rulership. The Maya drew him with a mirror in his forehead.

K'awiil (also known as god K) also had a mirror drawn on his forehead. And, also like god C, he was a god that had a connection to rulership.


References:
Manufactured Light: Mirrors in the Mesoamerican Realm"; Emiliano Gallaga M. and Marc G. Blainey (editors); 2016

Google Books: "Mortuary Landscapes of the Classic Maya: Rituals of Body and Soul"; Andrew K. Scherer; 2015

Google Books: "Cosmology, Calendars, and Horizon-Based Astronomy in Ancient Mesoamerica"; Anne S. Dowd, Susan Milbrath (editors); 2015


Cambridge University Press: Cambridge Core: "Ancient Meosamerica" Volume 22 Issue 2: "Ancient Maya Mosaic Mirrors: Function, Symbolism, and Meaning"; Paul F. Healy, Marc G. Blainey; Fall 2011

Google Books: "Maya Calendar Origins: Monuments, Mythistory, and the Materialization of Time"; Prudence M. Rice; 2007

Metropolitan Museum of Art: Mirror-Bearer

Image Credits:
USGS: Pyrite and Quartz; Carlin Green; c. 2016

Metropolitan Museum of Art: Mirror-Bearer

Thursday, January 4, 2018

Sweat Baths

Composite image made with a photo from the Library of Congress and a photo
from the CIA World Factbook. See the Image Credits section below for more on
the original photos.


The sweat bath or steam bath was a type of sacred sauna that the Maya civilization built for a wealth of uses. A word for it in the Classic Period was pib' naah/pib na, which has been translated various ways, including "oven house." Archaeologists -- who have had to use post-Contact accounts a lot for understanding the ancient Maya view of sweat baths -- have come across different kinds of sweat baths all over the Maya area.

History
The oldest sweat bath that archaeologists have found yet is at a site in Belize called Cuello. It dates back to 900 BC -- this means that it was built during Preclassic Period, in the part called the Middle Preclassic. The ancient Maya kept building sweat baths through their history, into the Postclassic Period. Archaeologists have found that it was common for elites to build sweat baths in two types of places: cities' ceremonial centers and patios near their homes.

(Somewhat related to the history of the ancient Maya sweat bath, there's a theory that the ancient Maya affected the development of the sweat lodge in North America.)

Some Features of Note
The ancient Maya would build their sweat baths' roofs so the steam would be vented out. As for doors, when building a sweat bath, the Maya tended to use different kinds. There were times they also put in a drain. Archaeologists have also found remains of sweat baths that have benches in them.

For making steam, the Maya would build a hearth in the room called a firebox. This feature was put either in the middle of the room or in a wall. In the hearth, they would put rocks that had been heated. They would pour water on theses rocks to make the steam.

Sometimes the Maya made a sweat bath inside another building, and when they did this they had other rooms that were connected with the sweat bath, such as a room for changing. There was also a kind of sweat bath that was built with these other rooms -- but was not inside another building. (This last style looks like it was a lowland style.)

Uses
The ancient Maya used sweat baths as a way to help keep themselves healthy. They also had other uses, including when someone was giving birth, religious purifying rituals, and when someone was sick.

The Maya thought they could use sweat baths as a way of getting to the underworld. They thought sweat baths let them talk not only with previous generations that had died but gods as well.

Consideration: Possible Gods of the Sweat Bath
Speaking of religion, there's a theory that there were two deities that, among their different connections, were deities of sweat baths. Specifically, sweat baths in connection with giving birth.

One of them was goddess O. She was a goddess drawn as aged woman from the Postclassic Period that may or may not have been connected to the moon.

The second deity was Pauahtun (god N). Pauahtun was a god connected to the earth who was drawn as a man who, like goddess O, had reached old age.

Symbolic Sweat Baths and Other Symbolism
It's possible not all sweat baths were sweat baths, exactly, but symbolic ones. These are sweat baths that don't look like they ever had a way of heating them. It's possible that these sweat baths were somehow used for gods.

Speaking of symbolism, the ancient Maya thought that both leaving and entering a sweat bath had a meaning. Leaving was like a rebirth. Entering was like being eaten. (Archaeologists think the ancient Maya looked at entering a sweat bath as like being eaten because of some doors they found. These doors were built to look like the mouths of certain beings. There were also doors made to look like bellybuttons -- these also had the same meaning as the doors that look like mouths.)

References:
Google Books: "Encyclopedia of the Ancient Maya"; Walter R.T. Witschey; 2016

Google Books: "The Maya of the Cochuah Region: Archaeological and Ethnographic Perspectives on the Northern Lowlands"; Justine M. Shaw; 2015

Google Books: "Mortuary Landscapes of the Classic Maya: Rituals of Body and Soul"; Andrew K. Scherer; 2015

Boston University: "A Tale of Three Plazas: The Development and Use of Public Spaces in a Classic Maya Ritual and Residential complex at Zultun, Guatemala"; Jennifer Carobine Groeger Wildt; December 2015

The Pennsylvania State Unversity: Cite Seer X: "Earth. Water. Sky.: The Liminal Landscape of the Maya Sweatbath"; Catherine Annalisa Miller; April 12, 2013

Google Books: "Historical Dictionary of Mesoamerica"; Walter R.T. Witschey, Clifford T. Brown; 2012

Oklahoma State University: Edmon Low Library & Branch Libraries: Digital Collections: "The Effects of Sweat Therapy on Group Therapeutic Factors and Feeling States"; Stephen A. Colmant; December 2005

University of Illinois College ofLiberal Arts & Sciences: "A Place for Pilgrimage: The Ancient Maya Sacred Landscape of Cara Blanca, Belize"; Lisa J. Lucero, Andrew Kinkella

Image Credits:
CIA World Factbook: Mexico

Library of Congress: Smoke Stacks (LOC); Alfred T. Palmer; c. 1939

Wednesday, December 20, 2017

Hunting and the Ancient Maya

This is a vase from 600 AD to 900 AD that was made in what is now Guatemala.
As you can see, one of the things this vase shows is a deer that has been captured. From LACMA.


Hunting has been part of the history of Mesoamerica since the beginning of human history there. The ancient Maya, though they don't seem to have emphasized animals as food, hunted all kinds of animals, for different uses.

Animals
Examples of animals that the ancient Maya hunted that you may of heard of included manatees (where there were communities on the coast,) foxes, rabbits, turtles, white-tailed deer, possums, anteaters, iguanas and fish. Some animals that you may not of heard of included agoutis, coatis, kinkajous, tapirs, pacas, ocellated turkeys, brocket deer, and peccaries. (It's possible that there were some animals, like the ocellated turkey, that the ancient Maya kept.)

Uses
The ancient Maya ate animals for their meat, but animals weren't the Maya's main food. (Plant-based food was.) And they didn't just hunt animals for food. They also used them to make things like musical instruments and tools.

Weapons
Tools the ancient Maya used for hunting included blowguns, traps (including snares,) and spears. In the Late Postclassic, the Maya began to make use of bows and arrows. For hunting deer, the ancient Maya would also drive them along, using hunting dogs.

Shrines
There may have been a belief among the ancient Maya that there was a supernatural guardian of animals. Hunting shrines that have been found may have been connected to this being. That is, the Maya may have done hunting rituals that were for the guardian of the animals. For example, they may have put the bones of animals they hunted in a hunting shrine to show they haven't hunted too many animals.

Consideration: Rank
So far, at least in the Late Classic, it looks like the animals poor people got came from local rivers. (That is, shellfish and fish.) People who ranked as "middle-elite" enjoyed a lot more animal-based products than poor people or elites with the highest rank. Elites who were at the top of everything liked to have certain animal-based products that were considered very impressive, like jaguars.

References:
Google Books: "Encyclopedia of the Ancient Maya"; Walter R.T. Witschey; 2016

Mesoweb: "The PARI Journal" volume 16, issue 4: "The Ocellated Turkey in Maya Thought"; Anal Luisa Izquierdo y de la Cueva, María Elena Vega Villalobos; 2016

The Ethics of Anthropology and Amerindian Research: Reporting on Environmental Degradation and Warfare"; Richard J. Chacon, Rubén G. Mendoza (editors); 2012

Google Books: "Handbook To Life In The Ancient Maya World"; Lynn V. Foster; 2005

LACMA: Cylinder Vessel with Supernatural Crocodile and Captured Deer

Image Credit:
LACMA: Cylinder Vessel with Supernatural Crocodile and Captured Deer

Thursday, December 14, 2017

The Waterlily Serpent


This vessel (in the collection of LACMA) comes from Guatemala's
southern highlands. It shows different beings,
including what LACMA calls the Waterlily Monster.

There are different supernatural beings in the art created by the Maya civilization. Wahys -- also known as ways -- are one example. Another example is the Waterlily Serpent as archaeologists call it (among other names.) A god, it seems to have connections to very different things, including water.

Appearance
Descriptions of the Waterlily Serpent can differ somewhat. One way of describing it is to say it's a giant, squiggling snake that has a long, droopy nose, has no jaw, has a long projection coming from the upper part of its mouth and has plumes of feathers on its body. As for its eyes, they've been described as scrolled or spiral. (And, sometimes it doesn't have the body of a serpent. The ancient Maya had images of this being with a human body too.)

The being also tends to have been drawn with a headdress of a blooming waterlily and its pad -- fish are drawn biting the hat or both ends of the serpent, depending on the source.

Names
Other than the Waterlily Serpent, you may find sources that call this being the Water Serpent, Waterlily Monster or Imix Monster, among other names. There are also sources use "water lily" instead of "waterlily." But these are modern names -- what did the ancient Maya call it?

One possible translation for the being's name is witz', which may mean something sort of like moving water. David Stuart, a noted ancient Maya expert, wrote once that its name could be Juun Witz’ Naah Kan, or a variation on that possibility.

Powers and Connections
One thing that this being may have been a god of is water. The exact type of water god it was depends on the source. It may have been the god that controlled just the surface of water. Or it was the god of sources of water on/in the ground such as lakes, cenotes, and running water like rivers.

Some other things in nature that it's thought the Waterlily Serpent was connected to was wind as well as caves (thought to be the places from which wind and water came) and the moon.

The Waterlily Serpent also seems to have been a god connected to certain, more specifically human things, including the Haab' and the Long Count as well as elites. It seems to be connected to rituals the ancient Maya did whenever there was a "period ending." (In the Classic Period, there would be rituals for the end of different periods in the Long Count. Which periods were chosen depended on the community.) Finally, this serpent being is thought to be the god of the number 13.

Uses of the Serpent's Image
The Waterlily Serpent's image as something to wear has been found in the Maya civilization's art. For instance, it looks like there were times that people would dress as the Waterlily Serpent to do period ending rituals. (There are also other images of rulers wearing the serpent's head as a headdress.)

But that wasn't the only way that the ancient Maya used the image of the Waterlily Serpent. Scribes used it as a glyph for Haab' (360 days) in their calendar inscriptions -- sometimes they drew it as a sentient form of the Haab'.

And that wasn't the only way that the ancient Maya used the Waterlily Serpent's image in their writing. The head variant glyph for the number 13 is thought to be the Waterlily Serpent's head. (Head variant glyphs are glyphs that look like heads. They are used as part of monument inscriptions, in a section archaeologists call the Initial Series.)

In terms of art, this being was also a popular choice for painting on ceramics. Artists especially preferred to draw it in a type of theme that archaeologists call the Underwater World.

Consideration: Two Different Beings?
The terms Waterlily Serpent and Waterlily Monster might not mean the same being, because they don't look exactly the same -- a theory separates these two terms based on differences in images that have been studied. They might be two aspects of another being. Or, each might be a being in their own right. Another possibility is that the Waterlily Monster is the Waterlily Serpent's head after it has been cut off.

References:
Google Books: "Art and Myth of the Ancient Maya"; Oswaldo Chinchilla Mazariegos; 2017

Mesoweb: The Pari Journal: "In The Realm of the Witz’:Animate Rivers and Rulership among the Classic Maya"; Jeremy D. Coltman; 2015

Google Books: "Obsidian Reflections: Symbolic Dimensions of Obsidian in Mesoamerica"; Marc N. Levine, David M. Carballo (editors); 2014 

University of Missouri-Columbia: Museum of Art and Archaeology: "End of Days: Real and Imagined Maya Worlds"; November 17, 2012 - March 17, 2013

Google Books: "Breaking the Maya Code", Third Edition; Michael D. Coe; 2012

The University of Texas Rio Grande Valley: Journal of Ethnobiology 32(1): 74–107: "Water Lily and Cosmic Serpent: Equivalent Conduits of the Maya Spirit Realm"; J. Andrew McDonald, Brian Stross; 2012



Google Books: "The Technology of Maya Civilization: Political Economy and Beyond Lithic Studies"; Zachary X. Hruby, Geoffrey E. Braswell, Oswaldo Chinchilla Mazariegos (editors); 2011

Google Books: "To Be Like Gods: Dance in Ancient Maya Civilization"; Matthew G. Looper; 2009

Maya Decipherment: Ideas on Ancient Maya Writing and Iconography: "Reading the Water Serpent as WITZ'"; David Stuart; April 3, 2007

University of California, Davis: Maya Hieroglyphic Database Project: Glyph Dwellers, Report 16, December 2003: "The 'Manikin' Glyph Compound (T86:700) as a Reference to Headdresses"; Matthew G. Looper

Friday, December 8, 2017

The Cardinal Directions

Made with two images from Project Gutenberg and the
CIA's World Factbok via MS Paint.



Like other cultures, the Maya civilization had four cardinal or world directions -- and a fifth one for the center of these directions. These directions had various other things that the Maya connected with them. (For instance, colors. In more modern times, Eduard Seler -- a man who studied cultures in Mesoamerica -- is understood to have been the one who officially realized this specific connection.)

Directions
The directions in the ancient Maya world were north, west, east, center, and south -- when used together, all of these directions make what is called a quincunx. These directions -- in the eyes of the ancient Maya -- followed the sun's "path," which would mean that north was not just north but up as well (aka zenith) and south was down (aka nadir) as well as being south.  Of the directions, the ancient Maya looked at north and south as having less meaning than east and west.

Names of the Directions
Some names for the four directions that you might see are: north or "xaman," west or "chik'in," east or "lak'in" or "lik'in" (lak'in is an older term,) and south or "nohol." (You may also see "nal" for north, "ochk'in" for west, and "el k'in" for east.)

A modified image of the direction glyphs as seen in the Dresden Codex. From a Project Gutenberg upload of a translation of a book written by Ernst Förstemann.


Colors
Red or chak was the color of the east, yellow or k'an was the color of south, white or sak was the color of north and black or ek was the color of west. The color of the center direction was yax, which has been translated as "green," blue-green," "blue." (The Ancient Maya sixth edition says that Mayan languages don't have separate basic words for blue and green.)




Gods
There were gods that had aspects connected with the cardinal directions -- and their colors -- such as Pauahtun (God N,) Kawiil (God K,) Itzamná (God D,) and Chaak (God B.) As for Chaak, his four direction aspects were: Kan Xib Chaak for yellow and south, Ek Xib Chaak for black and west, Chak Xib Chaak for red and east, and Sak Xib Chaak for white and north. (These aspects can be found in the Dresden Codex, and archaeologists have also found Classic Period artifacts that involve the "red" aspect of Chaak.)

Considerations
The Books of Chilam Balam talk about the directions too. And in the Book of Chilam Balam of Chumayel, each direction has several things, a tree and a bird (of that direction's color) as well as a (or an aspect) of the god called Bacab, who kept the sky away from the earth.

Speaking of trees, it was popular in ancient Maya times to draw the center "direction" as a ceiba tree. The ancient Maya are also known to have drawn the center as a crocodile.

References:
Google Books: "Mortuary Landscapes of the Classic Maya: Rituals of the Body and Soul"; Andrew K. Scherer; 2015

Google Books: Landscapes of Origin in the Americas: Creation Narratives Linking Ancient Places and Present Communities"; Jessica Joyce Christie (editor); 2009

Google Books: "Death and the Classic Maya Kings"; James L. Fitzsimmons; 2009

Google Books: "Daily Life in Maya Civilization" second edition; Robert J. Sharer; 2009

Google Books: "The New Catalog of Maya Hieroglyphs: Volume 2 The Codical Texts"; Martha J Macri, Gabrielle Vail; 2009

Google Books: "Maya Sacred Geography and the Creator Deities"; Karen Bassie-Sweet; 2008

Google Books: "Maya Calendar Origins: Monuments, Mythistory, and the Materialization of time"; Prudence M. Rice; 2007

Google Books: "The Ancient Maya" sixth edition; Robert J. Sharer; Loa P. Traxler; 2006

"Contributions in New World Archaeology"; volume 5; pages 165 to 196

Image Credits:
Project Gutenberg: Papers of the Peabody Museum of American Archaeology and Ethnology, Harvard University VOL. IV. -- No. 2: "Commentary on the Maya Manuscript in the Royal Public Library of Dresden"; Ernst Förstemann, Selma Wesselhoeft, A.M. Parker, Ernst Förstemann (translators); 1906; page 267

Project Gutenberg: Smithsonian Institution Bureau of American Ethnology Bulletin 57: "An Introduction to the Study of the Maya Hieroglyphs"; Sylvanus Griswold Morley; 1915; page 1

The World Factbook: Mexico



Monday, November 13, 2017

Eccentric Flints


This eccentric flint of two beings, the smaller one looks like
it's getting a piggyback ride. It comes from Guatemala, and
was made in the 600s AD to 700s AD. From the Metropolitan Museum of Art.


The Maya (and other Mesoamericans) civilization had a practice of working stones including chalcedony, chert/flint, and obsidian into items that don't appear to have been tools. (They liked flint that was particularly dark the best.) Possibly or actually connected with lightning -- the Maya either may have thought or really did think flint was made from lightning strikes -- these carved stones were sacred items. The stones -- called eccentric flints, eccentrics, and eccentric lithics -- seem to have been the most popular in both the central and southern lowlands, during the Classic Period

Types of Shapes
Also from the Met.
This eccentric flint
comes from Mexico,
sometime before contact
with the Spanish.
The ancient Maya shaped eccentric flints with pieces of stone bigger than what you would use for a tool. The Maya also chose to shape these images as though you were looking at them from the side.

This eccentric flint is in the
collection of LACMA. It comes from
Mexico or perhaps Guatemala and was
 made somewhere around 600 AD to 800 AD.
Some of their eccentric flints look like their gods -- K'awiil, a god who seems to have a connection to lightning, was a preferred choice -- and others look like rulers; there are also ones that have more than one being. (One of the shape that the SFU Museum of Archaeology and Ethnology mentions is head-shaped eccentric flints. From their description, these seem to count as part of the ruler and god shapes.) There are also eccentric flints that look like animals, such as centipedes and scorpions. The Maya crafted eccentric flints that were just shapes as well.

There are some big eccentric flints that have a long piece that is called a stem -- which you might see called a tang -- coming straight down from the bottom of the part shaped to look like a god or ruler. (Though other sources this author has found don't say this, the SFU Museum of Archaeology and Ethnology says that this kind of eccentric flint is leaf-shaped.)


Purposes
The people of the Maya civilization put these carved stones in caches that archaeologists have found in elite graves and under stelae, among other locations. 

But eccentric flints may not have just been for putting in special places. One theory says there were also certain eccentric flints that the ancient Maya used for bloodletting rituals.

There may have been a third use, at least for the big eccentric flints.The stems of big eccentric flints may have been for putting into a staff so that the part that looked like a god or ruler was on top of the staff. It's a possibility that the ancient Maya used this kind of scepter. A variation on this is that it may have been put into a staff and been a war-related item, like a battle standard -- or perhaps a weapon. 

Making Eccentric Flints
Making an eccentric flint was a very challenging project. No one is quite sure how the ancient Maya made them with the tools and skills that they are known to have had. (They used two methods: pressure flaking and percussion flaking.) However they did it, the ancient Maya who knew how to make eccentric flints had some very special knowledge about stone working.

Based off of flakes of chert that were painted at Piedras Negras, there's an idea out there that wonders if eccentric flints were painted as well.

This eccentric flint was made between 600 AD and
900 AD, in Belize. From the Yale University Art Gallery.


References: