Showing posts with label serpent. Show all posts
Showing posts with label serpent. Show all posts

Thursday, December 14, 2017

The Waterlily Serpent


This vessel (in the collection of LACMA) comes from Guatemala's
southern highlands. It shows different beings,
including what LACMA calls the Waterlily Monster.

There are different supernatural beings in the art created by the Maya civilization. Wahys -- also known as ways -- are one example. Another example is the Waterlily Serpent as archaeologists call it (among other names.) A god, it seems to have connections to very different things, including water.

Appearance
Descriptions of the Waterlily Serpent can differ somewhat. One way of describing it is to say it's a giant, squiggling snake that has a long, droopy nose, has no jaw, has a long projection coming from the upper part of its mouth and has plumes of feathers on its body. As for its eyes, they've been described as scrolled or spiral. (And, sometimes it doesn't have the body of a serpent. The ancient Maya had images of this being with a human body too.)

The being also tends to have been drawn with a headdress of a blooming waterlily and its pad -- fish are drawn biting the hat or both ends of the serpent, depending on the source.

Names
Other than the Waterlily Serpent, you may find sources that call this being the Water Serpent, Waterlily Monster or Imix Monster, among other names. There are also sources use "water lily" instead of "waterlily." But these are modern names -- what did the ancient Maya call it?

One possible translation for the being's name is witz', which may mean something sort of like moving water. David Stuart, a noted ancient Maya expert, wrote once that its name could be Juun Witz’ Naah Kan, or a variation on that possibility.

Powers and Connections
One thing that this being may have been a god of is water. The exact type of water god it was depends on the source. It may have been the god that controlled just the surface of water. Or it was the god of sources of water on/in the ground such as lakes, cenotes, and running water like rivers.

Some other things in nature that it's thought the Waterlily Serpent was connected to was wind as well as caves (thought to be the places from which wind and water came) and the moon.

The Waterlily Serpent also seems to have been a god connected to certain, more specifically human things, including the Haab' and the Long Count as well as elites. It seems to be connected to rituals the ancient Maya did whenever there was a "period ending." (In the Classic Period, there would be rituals for the end of different periods in the Long Count. Which periods were chosen depended on the community.) Finally, this serpent being is thought to be the god of the number 13.

Uses of the Serpent's Image
The Waterlily Serpent's image as something to wear has been found in the Maya civilization's art. For instance, it looks like there were times that people would dress as the Waterlily Serpent to do period ending rituals. (There are also other images of rulers wearing the serpent's head as a headdress.)

But that wasn't the only way that the ancient Maya used the image of the Waterlily Serpent. Scribes used it as a glyph for Haab' (360 days) in their calendar inscriptions -- sometimes they drew it as a sentient form of the Haab'.

And that wasn't the only way that the ancient Maya used the Waterlily Serpent's image in their writing. The head variant glyph for the number 13 is thought to be the Waterlily Serpent's head. (Head variant glyphs are glyphs that look like heads. They are used as part of monument inscriptions, in a section archaeologists call the Initial Series.)

In terms of art, this being was also a popular choice for painting on ceramics. Artists especially preferred to draw it in a type of theme that archaeologists call the Underwater World.

Consideration: Two Different Beings?
The terms Waterlily Serpent and Waterlily Monster might not mean the same being, because they don't look exactly the same -- a theory separates these two terms based on differences in images that have been studied. They might be two aspects of another being. Or, each might be a being in their own right. Another possibility is that the Waterlily Monster is the Waterlily Serpent's head after it has been cut off.

References:
Google Books: "Art and Myth of the Ancient Maya"; Oswaldo Chinchilla Mazariegos; 2017

Mesoweb: The Pari Journal: "In The Realm of the Witz’:Animate Rivers and Rulership among the Classic Maya"; Jeremy D. Coltman; 2015

Google Books: "Obsidian Reflections: Symbolic Dimensions of Obsidian in Mesoamerica"; Marc N. Levine, David M. Carballo (editors); 2014 

University of Missouri-Columbia: Museum of Art and Archaeology: "End of Days: Real and Imagined Maya Worlds"; November 17, 2012 - March 17, 2013

Google Books: "Breaking the Maya Code", Third Edition; Michael D. Coe; 2012

The University of Texas Rio Grande Valley: Journal of Ethnobiology 32(1): 74–107: "Water Lily and Cosmic Serpent: Equivalent Conduits of the Maya Spirit Realm"; J. Andrew McDonald, Brian Stross; 2012



Google Books: "The Technology of Maya Civilization: Political Economy and Beyond Lithic Studies"; Zachary X. Hruby, Geoffrey E. Braswell, Oswaldo Chinchilla Mazariegos (editors); 2011

Google Books: "To Be Like Gods: Dance in Ancient Maya Civilization"; Matthew G. Looper; 2009

Maya Decipherment: Ideas on Ancient Maya Writing and Iconography: "Reading the Water Serpent as WITZ'"; David Stuart; April 3, 2007

University of California, Davis: Maya Hieroglyphic Database Project: Glyph Dwellers, Report 16, December 2003: "The 'Manikin' Glyph Compound (T86:700) as a Reference to Headdresses"; Matthew G. Looper

Saturday, August 12, 2017

Eclipses





Courtesy Nasa/SDO.

Eclipses are exciting events where either the moon passes between the earth -- creating a solar eclipse -- and the sun or the earth passes between the sun and the moon -- creating a lunar eclipse.  Let's take some time to explore the ancient Maya perspective on it.




Eclipse Names
Solar eclipse glyph on the left,lunar 
eclipse glyph on the right. 
In the Dresden Codex, the lunar glyph 
is never without the solar one
Archaeologists think they've found various ways the Maya wrote "eclipse," at least for in the Postclassic Period. For the most popular of these, two "wings" (one mostly dark and one light) go on either side of a smaller sun glyph for "solar eclipse" or moon glyph for "lunar eclipse." The picture on the right shows two examples (from a drawing in Cyrus Thomas's Aids to the Study of the Maya Codices.)
"Pa' k'in" from the Dresden Codex's page 54.
(You may see people call it pa'al k'in.)

The ancient Maya of this period also had phrases they used sometimes to mean an eclipse. Though they could be used to mean real ones, these phrases were more popular when they wanted to say a certain era/length of time had ended. One of the known phrases was "pa' k'in" (thought to be a short form for "pa'al k'in"), which means "broken sun." 


What The Maya Knew About Eclipses
Copy of the Dresden
Codex's page 51. 
There are points in the earth's and moon's orbits where either the sun or the moon go through an eclipse -- these points are called nodes. Eclipses run in a cycle (called the saros cycle that begins again after about 18 years, 11 days, 8 hours. Did the ancient Maya know about these important parts of eclipse math? So far it looks like the answer is no. But they did know how to get close to predicting eclipses.
This glyph may describe
darkness during a solar eclipse.

They'd figured out that about 177/178 days (which makes 6 lunar months) or 148 days (5 lunar months) after an eclipse -- lunar or solar -- an eclipse of the same type as before might happen. You can find examples of these numbers various places. One is the site of Xultun, which has them written on the inside of a building. Another example is the Dresden Codex. 

The Dresden Codex has eight pages (pages 51 through 58) on eclipses. (Which kind of eclipse hasn't been decided for sure.) Archaeologists have found both number 177 and 148 in these pages. There are years' worth of eclipses written down there -- either ones people had seen or ones that had been predicted -- a length of time lasting 11,960 days. People still wonder if it was a chart that could only be used one time, or if the Maya were somehow able to use it again and again, adjusting it when they had to do so.
Depiction of a solar eclipse.
From the Dresden Codex's
eclipse pages.

So if the ancient Maya were able to sort of predict eclipses, did they realize that they were watching planets and their shadows? It seems they didn't. Instead, it looks like they thought solar eclipses (and maybe lunar ones too) happened because a creature was biting the sun. Various old accounts after contact with the Spanish say the Maya -- depending on the community -- thought the creature was an ant, some kind of cat, or Venus. In the codices, there are images of serpent figures that look like they're trying to eat the sun. These serpents may actually be Venus.

How They Observed Eclipses
The ancient Maya may have used a y-shaped stick to help them look at the sky's objects. They May have used mirrors (made from stone they'd polished) to watch eclipses. Bowls filled with water may have been another eclipse watching tool.

What They Meant
The ancient Maya, from what archaeologists can tell, may have thought that eclipses, lunar and solar, were dangerous. It's also possible that they thought a solar eclipse could be the start of the end of the current world. (The Maya believed there had been worlds before this one.) However, it looks like eclipses weren't always seen as dangerous -- it's possible that eclipses were dangerous during certain "dangerous" times. 

To keep the sun from being swallowed, the ancient Maya thought they could stop an eclipse if they made lots of noise -- doing things like making their dogs howl and by beating drums. The noise was supposed to scare off the creature causing the eclipse.


Terminal Classic Record of An Eclipse 

Unless calculations are mistaken, on July 16, 790, the ancient Maya recorded a solar eclipse. The evidence is Stela 3 from the site of Santa Elena Poco Uinic or just Poco Uinic, a site in the highlands of the Mexican state of Chiapas. The eclipse would have happened not long after noon there.



References:

"Totality: The Great American Eclipses of 2017 and 2024"; Mark Littmann & Fred Espenak; 2017

"Cosmology, Calendars, and Horizon-Based Astronomy in Ancient Mesoamerica"; Anne S. Dowd, Susan Milbrath (editors); 2015


"Beyond the “Dresden Codex”: New Insights into the Evolution of Maya Eclipse Prediction"; Vincent H. Malmström


"Daily Life in Maya Civilization" 2nd Edition; Robert J. Sharer; 2009


ASTRONOMY 1210 (O'Connell): INTRODUCTION TO THE SKY AND THE SOLAR SYSTEMMaya Astr 341 Class: Notes on the Maya


Arqueología Mexicana: El símbolo maya para eclipse


NASA: Glossary of Solar Eclipse Terms


Mesoweb: The PARI Journal 13(2), 2012, pp. 3-16: "Exploring the 584286 Correlation between the Maya and European Calendars"; Simon Martin, Joel Skidmore


"Star Gods of the Maya: Astronomy in Art, Folklore, and Calendars'"; Susan Milbrath; 1999


Project Gutenberg: Project Gutenberg's Aids to the Study of the Maya Codices, by Cyrus Thomas


University of Victoria Astronomy: Arif Babul: WELCOME TO MY ASTROCOURSE WEBPAGES: Physics 303: The Mayan Civilization