Showing posts with label mayan. Show all posts
Showing posts with label mayan. Show all posts

Thursday, January 3, 2019

Emblem Glyphs

Detail of a relief that dates to the 700s AD. Among
the glyphs, you can spot several emblem glyphs.


Rediscovered in the late 1950s, the emblem glyph (actually made of several glyphs) is an ancient Maya title. It is understood to translate as "holy lord of such and such place" -- with each city-state's/polity's name put in the "such and such place" spot. When used, an emblem glyph would be placed next to the ruler's name. As to their meaning, debate still exists as to the nuances this title held in ancient Maya thought.

Rediscovery
It was a man named Heinrich Berlin who began the rediscovery of emblem glyphs. In 1958, Berlin found that there were certain groups of three glyphs that only changed one glyph, the "main sign." He thought that these glyph groups, which he called emblem glyphs, seemed to be about founding families or the names of places. 

Setup
An emblem glyph, in one view, starts with the adjective k’uhul. This is made of the k’uh glyph (the god C glyph, which looks like a head) paired with a glyph that the Maya popularly drew as one or more curving rows of dots with a “k’an cross” on top. (A k’an cross is a cross surrounded by a circular border.) 

To the right of the k’an cross was a glyph for ajaw or “lord”. Under the ajaw glyph went the “main sign,” which the Maya tended to place “on top” of the k’uh glyph. 

Alternately, you may see that the glyph with the rows of dots is transliterated as k’ul or ch’ul -- with no mention of k’uhul or layering. A third alternate you may find is it being transliterated as k'uhul.

How They're Read
One of several known emblem glyphs for the Kaan,
or perhaps Kan, kingdom aka the "snake kingdom."
Even though the usual method for successfully reading Mayan inscriptions involves reading top, left, then right, that's not how emblem glyphs are read. Instead, it's understood that the ajaw glyph is really said last -- even though it is on top of the "main sign" glyph. For example, Tikal's emblem glyph is read ch'ul/k'ul mutul ajaw, with mutul being the reconstructed name for the site.

Who Used Them 
Both rulers of city-states that controlled other city-states as well as rulers of city-states that were controlled used emblem glyphs. And there are some sites that use the same emblem glyphs -- like Palenque and Tortuguero. (Which could mean different things, including the possibility that they were both ruled by rulers from the same royal family.)

Archaeologists have also found inscriptions where pairs of people -- brothers or sons and fathers -- both have the emblem glyph. However, the more important of the two has kaloomte' as part of their titles, while the less important one doesn't. One theory about this says that these were times where sites (such as Calakmul) were ruled by two people at once, with one being more powerful than the other. Another possible explanation is that the younger of the two people is being described as a future ruler.

As to their location in an inscription, that depends on the time period you look at. Before 500 AD, the ancient Maya would put it either before or after a ruler's name -- after 500 AD, they just did the latter.

Possible Meanings
It’s not entirely certain what emblem glyphs were referring to. They might be names for lineages, for a location or for dynasties.

There’s also a theory you might see that wonders if emblem glyphs main signs were names for “origin places” – and that an emblem glyph may have been a statement of power. That is, an emblem glyph was a ruler’s way of declaring that he or his ancestors were given the right to rule from his emblem glyph's origin place.

Consideration: Unidentified Emblem Glyphs
There are emblem glyphs that archaeologists do not know the sites for. One example is the Water Scroll emblem glyph. The Maya wrote about it in inscriptions that date to between the 500s and 700s AD. A theory suggests that the Water Scroll emblem glyph was the emblem glyph of the Belize site Altun Ha.

References
Cambridge Core: "Ancient Mesoamerica" Volume 29 Issue 1: "Kings of the East: Altun Ha and the Water Scroll Emblem Glyph"; Christophe Helmke, Stanley P. Guenter; Phillip J. Wanyerka; Spring 2018

Maya Decipherment: "Secrets of the Painted King List: Recovering the Early History of the Snake Dynasty "; Simon Martin; May 5, 2017

Google Books: "Encyclopedia of the Ancient Maya"; Walter R.T. Witschey (editor); 2016

Google Books: "Mortuary Landscapes of the Classic Maya: Rituals of Body and Soul"; Andrew K. Scherer; 2015

The Oriental Institute of the University of Chicago: Oriental Institute Seminars: Number 4; "Religion and Power"; Nichole Brisch (editor); 2008 (Second printing with minor corrections, 2012)

Google Books: "The Ancient Maya" Sixth Edition; Robert J. Sharer, Loa P. Traxler; 2006

Mesoweb: "PARI Journal" Volume 6, Issue 2: "Of Snakes and Bats: Shifting Identities at Calakmul"; Simon Martin; 2005

The Metropolitan Museum of Art: Stela Fragment with Glyphs

Image Credit:
The Metropolitan Museum of Art: Relief with Enthroned Ruler

LACMA: Dynastic Vase (used as a model for the Calakmul emblem glyph image.)

Friday, December 8, 2017

The Cardinal Directions

Made with two images from Project Gutenberg and the
CIA's World Factbok via MS Paint.



Like other cultures, the Maya civilization had four cardinal or world directions -- and a fifth one for the center of these directions. These directions had various other things that the Maya connected with them. (For instance, colors. In more modern times, Eduard Seler -- a man who studied cultures in Mesoamerica -- is understood to have been the one who officially realized this specific connection.)

Directions
The directions in the ancient Maya world were north, west, east, center, and south -- when used together, all of these directions make what is called a quincunx. These directions -- in the eyes of the ancient Maya -- followed the sun's "path," which would mean that north was not just north but up as well (aka zenith) and south was down (aka nadir) as well as being south.  Of the directions, the ancient Maya looked at north and south as having less meaning than east and west.

Names of the Directions
Some names for the four directions that you might see are: north or "xaman," west or "chik'in," east or "lak'in" or "lik'in" (lak'in is an older term,) and south or "nohol." (You may also see "nal" for north, "ochk'in" for west, and "el k'in" for east.)

A modified image of the direction glyphs as seen in the Dresden Codex. From a Project Gutenberg upload of a translation of a book written by Ernst Förstemann.


Colors
Red or chak was the color of the east, yellow or k'an was the color of south, white or sak was the color of north and black or ek was the color of west. The color of the center direction was yax, which has been translated as "green," blue-green," "blue." (The Ancient Maya sixth edition says that Mayan languages don't have separate basic words for blue and green.)




Gods
There were gods that had aspects connected with the cardinal directions -- and their colors -- such as Pauahtun (God N,) Kawiil (God K,) Itzamná (God D,) and Chaak (God B.) As for Chaak, his four direction aspects were: Kan Xib Chaak for yellow and south, Ek Xib Chaak for black and west, Chak Xib Chaak for red and east, and Sak Xib Chaak for white and north. (These aspects can be found in the Dresden Codex, and archaeologists have also found Classic Period artifacts that involve the "red" aspect of Chaak.)

Considerations
The Books of Chilam Balam talk about the directions too. And in the Book of Chilam Balam of Chumayel, each direction has several things, a tree and a bird (of that direction's color) as well as a (or an aspect) of the god called Bacab, who kept the sky away from the earth.

Speaking of trees, it was popular in ancient Maya times to draw the center "direction" as a ceiba tree. The ancient Maya are also known to have drawn the center as a crocodile.

References:
Google Books: "Mortuary Landscapes of the Classic Maya: Rituals of the Body and Soul"; Andrew K. Scherer; 2015

Google Books: Landscapes of Origin in the Americas: Creation Narratives Linking Ancient Places and Present Communities"; Jessica Joyce Christie (editor); 2009

Google Books: "Death and the Classic Maya Kings"; James L. Fitzsimmons; 2009

Google Books: "Daily Life in Maya Civilization" second edition; Robert J. Sharer; 2009

Google Books: "The New Catalog of Maya Hieroglyphs: Volume 2 The Codical Texts"; Martha J Macri, Gabrielle Vail; 2009

Google Books: "Maya Sacred Geography and the Creator Deities"; Karen Bassie-Sweet; 2008

Google Books: "Maya Calendar Origins: Monuments, Mythistory, and the Materialization of time"; Prudence M. Rice; 2007

Google Books: "The Ancient Maya" sixth edition; Robert J. Sharer; Loa P. Traxler; 2006

"Contributions in New World Archaeology"; volume 5; pages 165 to 196

Image Credits:
Project Gutenberg: Papers of the Peabody Museum of American Archaeology and Ethnology, Harvard University VOL. IV. -- No. 2: "Commentary on the Maya Manuscript in the Royal Public Library of Dresden"; Ernst Förstemann, Selma Wesselhoeft, A.M. Parker, Ernst Förstemann (translators); 1906; page 267

Project Gutenberg: Smithsonian Institution Bureau of American Ethnology Bulletin 57: "An Introduction to the Study of the Maya Hieroglyphs"; Sylvanus Griswold Morley; 1915; page 1

The World Factbook: Mexico