Caves

Caves were special places to the ancient Maya. The Maya connected caves with a number of things, including the underworld, mountains, water, and corn -- which the Maya thought the creator gods had taken from a mountain to make people. Caves were also also places for burial and for holding rituals. Some of the more famous caves that the ancient Maya used are Naj Tunich and Actun Tunichil Muknal (Cave of the Crystal Sepulcher.)

The Mayan Name for Cave

It's thought that the ancient Mayan name for cave is either ch'en or ch'een, though people studying ancient Mayan writing are still making sure – and you may also find ch'é'en. (To keep things simple, this post will just use ch'een.) This word doesn't just mean cave though. It means a lot of other things too -- well, rock shelter, cenote, canyon, hole, and spring, for example.

The word also seems to somehow be connected to the idea of location or community. One view on this can be seen in Tikal: Paleoecology of an Ancient Maya City. This view says ch'een’s meanings include "city center" and “water cave.”

Added Features

The ancient Maya often changed the caves they used. One thing they would do is paint images of animals as well as people in the caves. Another thing they would do is carve things like heads, skulls, footprints and geometric shapes into the cave. They would also build things in them like tombs, stairways, platforms, and shrines.

Functions

In the ancient Maya view of the way the world worked, caves had a lot of different functions. I've separated the functions I've come across below.

Source of Water, Rain, Corn, and Clouds

The Maya thought that water, clouds and rain, came from caves. (The idea of clouds from caves isn’t so strange as it may seem -- the Maya area has tropical locations, and it is in tropical locations that clouds can form and come out of caves.) You may also find the view that there was a belief among the ancient Maya that lightning came from caves too.

Place of Sacrifice/Burial

One use the ancient Maya had for caves was as a place to put the dead. And it wasn’t just people who had died naturally. The Maya would also bury people they had killed as sacrifices in caves -- in fact, they would also go to really hard to get to sections of caves to sacrifice people. (The Maya also killed animals in caves as sacrifices.) It may even be the ancient Maya had caves for burying the bodies of their sacrifices as well as caves for burying people who had died but hadn't been sacrifices.

Source of Formations

The Maya used cave formations in rituals and not just in caves. There was a practice where a tall stalactite or stalagmite would be taken from where it formed and set up somewhere else. The stalagmite or stalactite could be set up inside the cave it formed in, just in a different spot – or was taken outside to be set up somewhere else.

Supernatural Doorway

The Maya thought that caves were connected with the Underworld. There are different views on how exactly the Maya thought the two were connected. One view says they thought caves were doorways that connected the human world to the underworld.  (There's also a view that the ancient Maya thought caves were parts of the underworld, not just doorways to it.) They thought that gods from the underworld sent things out through caves. (There's also a different view that caves were ways to talk to creator grandparent gods – and that these gods were believed to control the sea. Yet another view says that the ancient Maya thought that more than one rain god lived in caves.) The Maya would give the gods of the underworld offerings in these caves. 

Possible Use: Period Ending Rituals

One specific ways the ancient Maya may have used caves as places to have ritual celebrations – archaeologists have found evidence that these ritual celebrations were celebrating other rituals for “period ending.” (Period ending rituals were rituals for when a certain period of time had become complete, like a b'akt'un – a period of 144,000 days.)

Consideration: Diphrastic Kennings

The ancient Maya had special phrases that you may see called diphrastic kennings. These were pairs of words that sounded close to each other – but meant two different things -- that when put together were a way of saying an idea.

For example, one diphrastic kenning that had ch’een in it was chan ch’een. This translates as “sky cave” but means "world" or "universe." That is, all of reality. (There’s a view that says it’s possible that when the ancient Maya wrote ch’een, they were just using a short form of the diphrastic phrases that had ch’een in it.)

References:

Mesoweb: "The PARI Journal" Volume 17 Issue 4: "A Carved Speleothem Monument at Yaxchilan, Mexico"; Christophe Helmke; 2017

YouTube: "How caves showed me the connection between darkness and imagination | Holley Moyes | TEDxVienna"; TEDx Talks; November 22, 2016

Google Books: "Tikal: Paleoecology of an Ancient Maya City"; David L. Lentz, Nicholas P. Dunning, Vernon L. Scarborough (editors); 2015

Google Books: "Maya Pilgrimage to Ritual Landscapes: Insights from Archaeology, History, and Ethnography"; Joel. W. Palka; 2014

Google Books: "Sacred Darkness: A Global Perspective on the Ritual Use of Caves"; Holley Moyes (editor); 2012

Western Oregon University: "From Out of the Earth: Water, Maize and Caves in Ancient Maya Myth and Religion"; Clara Scillian Kennedy; June 13, 2011

University of Central Florida: STARS: "New Perspectives On The Quatrefoil In Classic Maya Iconography The Center And The Portal"; Rachel K. Egan; 2011

Google Books: "Exploring Maya Ritual Caves: Dark Secrets from the Maya Underworld"; Stanislav Chládek; 2011

"Google Books: "Maya Sacred Geography and the Creator Deities"; Karen Bassie-Sweet; 2008

Google Books: "Maya Calendar Origins: Monuments, Mythistory, and the Materialization of Time"; Prudence M. Rice; 2007

Mesoweb: "Maya Creator Gods"; Karen Bassie; 2002

UC Merced: Holley Moyes: Belize Cave Project

The Ocellated Turkey

Author's note: This post was last updated on 10/03/19

 Photo by George Harrison, published by the US Fish and Wildlife Service.

Related to -- but very different from -- the turkey you might know, ocellated turkeys are some very eye-catching birds, as you can see from the photo above. They live in north Belize, Guatemala (in the Petén region,) and the Mexican states of Quintana Roo, Yucatán, and Campeche (though people have seen them in east Tabasco and northeast Chiapas too.) The ancient Maya thought this bird had supernatural power.

Names

"Kutz" in glyphs. Free-hand drawn
image by me using FAMSI's
copy of the Madrid Codex and the 2016
reference below as guides.

When looking for their scientific name, you will find the bird has two: Meleagris ocellata and Agriocharis ocellata. The second name, Agriocharis ocellata, was the first name the ocellated turkeys were given and is not used for them anymore.

One name for the ocellated turkey that the ancient Maya may have had in the Classic Period -- in the southern lowlands -- is ak'ach. This word has been figured to mean "turkey hen" but there's a theory that it might have been used for male and female ocellated turkeys.

Another word, which so far has been seen only in Postclassic writings -- the Dresden Codex and the Madrid Codex -- is kutz. This word may have been a word used in areas where the Yucatec Mayan language was at.

Features
Female ocellated turkeys grow to be around 6.6 to 8.8 pounds, while the males grow to be 8.8 to 11 pounds.  The birds have bright, light blue necks and heads, and have red-orange eye-lids. On top of each bird's head is an extension called a crown. On their heads and necks are nodules or caruncles that come in yellow, orange, red, red-orange or even somewhat blue. (Caruncles tend to be lighter in color the higher up they are.) Both genders of bird also have red or red-pink legs (I've seen both stated), the males' including spurs. Then, of course, there's the feathers.

Ocellated turkeys's feathers are iridescent. (Females' iridescent feathers are not as strongly brilliant as males'.) As for the coloring of feathers with iridescence, Specific descriptions of the iridescent colors differ a bit. Here's a list of iridescent colors from the Cornell Lab of Orinthology's website Neotropical Birds: bronze, gold, black, blue, and green. (Another section of the site does not include black, though.)

At the tail feathers' ends are blue spots with a black ring around them. This is the "ocellated" part of the name "ocellated turkey". The spots are supposed to look like eyes and are called ocelli, a word that comes from "oculus," Latin for "eye."


Function and Sourcing
Like other animals like snakes and jaguars, based of of their observations, the ancient Maya thought that ocellated turkeys were birds that had power. They used the ocellated turkey in their religion.

Drawings from "Animal Figures in the Maya Codices" of ocellated
turkeys. When compared to 93a and 91a of the Madrid Codex, they
look like good copies.

How did the Maya get their ocellated turkeys for their religious practices? A known way was to catch them -- the Madrid Codex has two images (page 91a and page 93a) that show them being caught using snares as well as baskets. 

It's possible that the ancient Maya had a practice of catching and raising ocellated turkeys. (There's a theory that there were Maya at the site of Mayapán who had flocks of them!) However, the birds don't like being kept and won't start families if they are.

Consideration: A Wahy?
In the Classic Period, it looks like the ancient Maya may have seen the ocellated turkey as a sort of wahy. (Wahys are spirits that, depending on the type, were either mascots or protectors of dynasties or were a weapon. (On a related note, Postclassic images that include ocellated turkeys seem to see them as more good beings.)

References
Google Books: "Wildlife Ecology and Management in Mexico"; Raul Valdez, J. Alfonso Ortega-S.; 2019

Mesoweb: "The Pari Jounral" Volume 16, Issue 4: "The Ocellated Turkey in Maya Thought"; Ana Luisa Izquierdo y de la Cueva, Maria Elena Vega Villalobos; Spring 2016

Five College Compass: Digital Collections: "Birds and Environmental Change in the Maya Area"; Peter Stuart; May 2015

Google Books: The Archaeology of Mesoamerican Animals"; Christopher M. Götz, Kitty F. Emery (editor); 2013

Mesoweb: "Introduction to Maya Hieroglyphs: Workshop Handbook"; Harri Kettunen, Christophe Helmke; 2008

Google Books: "The Turkey: An American Story"; Andrew F. Smith; 2006

Cornell University: Neotropical Birds: Ocellated Turkey Meleagris ocellata: Appearance

Cornell University: Neotropical Birds: Ocellated Turkey Meleagris ocellata: Distribution

ITIS Standard Report Page: Meleagris ocellata

The Free Dictionary: Ocelli

Image Credit:
US Fish and Wildlife Service National Digital Library: search result: Occelated Turkey
(Tip: I had a bit of difficulty using this site, as the links to picture's personal pages wouldn't load everything and the download button wasn't working. What worked for me is to save the image to favorites (you don't need to sign up,) then go to favorites and pick your preferred download option. Both worked for me. However, when I tried again later, the site wasn't working. You might have to experiment yourself.)

Project Gutenberg: "Animal Figures in the Maya Codices"; Alfred M. Tozzer; Glover M. Allen; 1910

The Jester God

A piece of stone ("jadeite/omphacite, iron ore") worked to look like the Jester
God's bird form. It dates to the 600s AD to 700s AD and comes from either
Mexico or Guatemala.  Image from the Metropolitan Museum of
Art, and cropped by Glas Ysgrifen -- me.

"The Jester God" is a nickname created by the well-known Maya expert Linda Schele in the '70s for a figure in ancient Maya art whose headdress looks like a jester's hat. From a symbol worn as a jewel to a supernatural being of various things – to both of these possibilities -- there are all kinds of views on what the ancient Maya thought of the Jester God. This article will touch on the three forms as well as some of the views on it.

Forms

This image shows a jade pendant from Guatemala or Mexico
that dates to 200 AD to 600 AD. The top of the man's head has
 what the image's description calls a "beaded tassel" which it
says relates to the Jester God. From the Yale University
Art Gallery.

The Jester God is known for being drawn in three ways, known as forms. These forms are the fish or piscine form, the bird or avian form, and the maize or anthropomorphic form. The ancient Maya didn't always keep these forms separate when they drew them -- there was a practice of mixing the forms in different ways. (However, not everyone thinks these are three forms of the same being. Instead, some think these are three beings that are separate from each other.)

Anthropomorphic Form

Though spoken of as one, the maize/anthropomorphic form is actually two forms. The book Maya Imagery, Architecture, and Activity describes the one as like a corn kernel made a bit human. It also says other is a whole ear of corn that has been made somewhat human -- and unlike the other version, it has a more "human" looking face.

The Name of Paper also says there are two types of the anthropomorphic form. However, it says that the plant is a flower blossom – maybe a corn blossom – and that it doesn’t always have a human face. (It also says that when the Maya did draw it as a face, it was from the side.)

Fish Form

This form looks like a shark that's blooming. It has spiral pupils, which the ancient Maya drew for creatures connected to the underworld. Its forehead has two separate sections. This form has large nostrils and a snout that either goes upwards or is straight out. The Maya also drew it with "face fins" --  though you may see them called gills -- which you'll find either on the form's chin or not far from its cheek. Another notable feature was its teeth, which like its nose the Maya had two ways of drawing: one was to draw just one triangle-shaped tooth and the other was to draw serrated teeth. As for its tail, the Maya (when they drew it just as itself, without adding in other forms) drew it so that it was over the form's head.

The Name of Paper, which as mentioned above says the forms are separate beings, calls the fish form the Xoc Adornment.

Bird Form

This form tends to have square-ish eyes and square-ish pupils. Its nose is a “beak-snout” that has big nostrils. Like the fish form, the bird form's teeth too are also a notable feature and could be several shapes: one of the shape's the bird forms could be was similar to fangs. The Maya also would draw a mirror on this form’s forehead that fits she shape of the forehead. There's a theory that this form was, in its unique way, a fig tree. The Name of Paper describes this form as the "true" form of the Jester God.

Function

Different people have different ideas about what the Jester God was to the ancient Maya. You may see sources say that it was a living version of the world tree -- which also meant it was connected to the idea of "center," rulers, jade, and corn. You may also find descriptions that say it was the essence of paper items used for rituals -- that it was a living version of these things.

A view within the idea that the Jester God was a symbol (you may see it described as a symbol that was animate -- held life) of rulership says that Maya rulers wore images of the Jester God's bird form as a jewel on their heads in various ways, including on headbands -- and a ruler could wear more than one Jester God. 

There's also an outlook within the idea of the Jester God being connected to rulers that says paper headbands -- called sak hu’un, white paper -- with the Jester God's bird form on it were part of a ruler becoming a ruler officially. One theory I saw said sak hu'un were used for when a ruler got their ruler's name, and another said that they were used to make a ruler divine.

In the view that the Jester God was worn as a jewel by rulers, you will also find it said that it was very common to carve Jester God jewels out of green-colored stones they valued, such as jade. On a related note, the Maya would draw a Jester God jewel (using any one of the three forms) as part of the ancient Maya glyph for ruler, ajaw. They drew the jewel on the forehead of the face that also made up part of the glyph. (However, The Name of Paper questions the accuracy of saying Jester God jewels are the bird form and instead thinks they look more like the fish form -- which it calls the Xoc Adornment.)

This clay figurine's left cheek has a symbol on it
that its description says is connected to the Jester God.
It dates to between 600 AD and 900 AD and comes from
Mexico. From the Yale University Art Gallery.

The Maya had a practice where they would label items they'd drawn with glyphs. This included when they drew something that was paper: there are times when the ancient Maya drew the Jester God's bird form as part of items that are made of paper, such as codices. (And perhaps may be why it was drawn on the paper headbands of rulers.)

Speaking of paper, the ancient Maya also used the bird form in their glyphic writing. The bird form's head was used as a "head variant" glyph or as the main part of a head variant glyph – I have seen both descriptions. Either way, the ancient Mayan word this particular head variant glyph is huun or hu’n, depending on the conclusion of the person reconstructing the pronunciation -- I will be using huun.) Huun means a world of related things, including "paper,” “fig tree” (amate,) "book," and "headband."

Consideration: The Principal Bird Deity

Drawings of the Jester God made in the Classic Period have the same face as a supernatural being archaeologists call the Principal Bird Deity. In fact, it looks like these two a connection -- one idea is that the Jester God’s bird form came from the Principal Bird Deity.

Another Consideration: "Ux Yop Huun"

In various places, archaeologists have found a phrase: "ux yop huun." (You may see this phrase written as "ux yop hu'n.") One translation of the phrase is "Three Leaf Paper." The head of the Jester God's bird form  either is or is the "main part" of a head variant glyph for the huun part of the phrase. There's a theory that this might be the bird form's name -- depending on the source, you may read that it may have been or actually was the name for all three forms.

Ux yop huun may also be a name for a Juun Ajaw, whose name means One Lord. Juun Ajaw is one of the Hero Twins (also known as the Headband Twins.) If you have read or read about the Popol Vuh will have heard of that book's version of Juun Ajaw: Hunahpu/Jun Aj Puuh/Jun Ajpu. Jun Ajaw is known for shooting a giant bird with his blowgun. The Maya also liked to draw him with a paper headband.

References:

University of Calgary: "A Study of Dress and Identity in the Late Classic Maya Court"; Cara Grace Tremain;August 2017 (This will download when clicked.)

Google Books: "The Origins of Maya States"; Loa P.Traxler, Robert J. Sharer (editors); 2016

Mesoweb: "The PARI Journal"Volume 15, No. 4: "Once and Future Kings: Classic Maya GeopoliticsandMythic History on the Initial Series from Uaxactun"; Nicholas P.Carter; Spring 2015

Leiden University: "Personhood in MayaArt: A Theorhetical Perspective"; Laura Ann Osorio; March 3, 2015

Google Books: "Maya Imagery, Architecture, an Activity:Space and Spatial Analysis in Art History"; Maline D. Werness-Rude, Kaylee R. Spencer (editors); 2015

The University of Texas at Austin: Texas Scholar Works:University of Texas Libraries: "Sacrificing the Jaguar Baby :understanding a classic Maya myth on codex-style pottery"; PennySteinbach; May 2015 (Click on the PDF icon for it to download.)

Mesoweb: Maya Archaeology Articles: Maya Archaeology 2: "The Name of Paper: The Mythology of Crowning and Royal Nomenclature on Palenque's Palace Tablet"; David Stuart; 2012

Google Books: "Maya Calendar Origins: Monuments, Mythistory, and the Materialization of Time"; Prudence M. Rice; 2007

The Metropolitan Museum of Art: Deity Face Pendant

Yale University Art Gallery: Warrior with Facial Decoration

Yale University Art Gallery: Pendant in the Shape of a Standing Ruler or Lord

Image Credit:

The Metropolitan Museum of Art: Deity Face Pendant

Yale University Art Gallery: Pendant in the Shape of a Standing Ruler or Lord

Yale University Art Gallery: Warrior with Facial Decoration